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sabato 16 aprile 2011

FREE YOURSELF FROM YOUR OWN FORCE - 1st principle of power

"Free yourself from your own force" seems to be one of the main points to face Chi Sao ("sticky hands", one of the typical exercises of the style), but not only this. Let' s go deep inside the topic.
First, we have to consider that the energy is not the force. Energy is an internal concept, that can be expressed externally without the use of the force. Often, it' s the absence of force to give us the energy we need to face a fighting. When we  create a bridge (Kiu) between us and the opponent, we create also an energetic pressure. When we use the force instead of pressure, we give the opponent a signal, so he will have more opportunities to free himself from us and from our force. That's why we need do not use force during the contact, but instead we need to create the right tendon and muscle tension, in order to control and manage our won balance as well as the incoming forces.

Now, many people ask themselves if the point of contact-pressure has to be the one in which  to focus the energy. The right answer would have be "yes, absolutely yes, in absence of force", but it would not be easy to understand. So, therefore, we have to analyze the problem without prearranged sentences, to allow the comprehension of this extraordinarily important principle. Free yourself from your own force means you haven't to stimulate the reaction of the opponent, you have to create the void. You have to concentrate  the energy (energy here means a status of internal attention, not the force) in the point of contact. To put force against force is like excluding the possibility of action for both. So, how to react to a stimulation on a point of contact? We have to eliminate the force, to create an equilibrium of energy, to react with a Yang or Yin attack - you've read well, a Yin attack! - and then to come back to a position of equilibrium.

To free yourself from you own force doesn't mean to be weak or "to empty yourself" while receiving the opponent's attacks, as usually someone misunderstands, but, more correctly, do not allow your own muscle force to block the fluid flow of the energy, sending and focusing it on one point only. This is that I want more focus on, here. This means that you have to use the force in the right way, by using the right force lines on the right specific angles, always keeping a correct postural work, looking at your balance, at your rooting and at the elasticity of the movement, otherwise it would be useless to study our beautiful martial art.

I think that this principle we are speaking about since our very first days in the kwoon is important to stress the concept of "flowing", of "fluidity", of "harmony". We have to remember that our purpose is to become like "water", which flows softly or impetuously, with an incredible explosive and devastating charge, be it a little particle of water (which digs the rock), or the entire flow of water which destroys and sweeps away.

We haven't to allow our instinctive powerful reactions to block us. It remains true that we have to use the muscles, but in a appropriate way, using the right directions and the correct power lines, which make us able to change these same power lines, keeping a constant pressure, not creating holes in our defenses, holding the bridges which we have created and sinking the opponent's ones. Only in this way we can flow. That's why we use mainly the posterior muscles chain of dorsal, triceps and shoulder stabilizers, paying attention to use not to much the biceps, the chest muscles and the shoulders muscles. But now is also important to free ourselves from the too much "muscular" theory, because it can be counterproductive for the practitioner. Don't fix on one muscle or another one. Have always an holistic, entire overview of the body.

Let's deepen now the questions related to force, to pressure and to sensibility. We assume that, in my experience, only studying the Chi Sao makes possible actually and properly to understand, to refine and to feel. In Chi Sao we can have comprehension of the meaning of force, pressure, stability and sensibility, softness and flexibility.

By using the term force (Li) I mean the use of the muscles, which allow me to develop explosiveness against the opponent, just in the moment I have an opportunity, or, which is the same, the quantity of energy released by a shot. Obviously you can train the force with various methods not foreseen by the Art itself, for example by using weights, physical exercises aimed at building up your muscles. Many people assume to be wrong to use the term "force", because they think that the power of the shots comes only from tendons. I think instead, that muscles have to be used in the right measure: the force has to be the result of the dynamic tension of the muscles, a tension which is freed when the obstacle disappears,  or when we take a good angle. The tension is created part from us by our pressure, part from the opponent, who charges, just by simply attacking, our “springs”.  Only by the body movement you can create a complete attack, not only leaded by muscles.
By using the term pressure, instead, I mean  the constant energy flow against the opponent, which allow us to maintain our own balance and  to put our partner out of balance. The pressure doesn’t make use of powerful muscles, but by the simple energy flow coming from a correct posture and from the right use of the spine – nevertheless the tendons lengthening -, and using the correct angles of engagement, the pressure allows us  to maintain a constant energy, which creates like an energy field around us, as being in the center of a sphere. The pressure  comes from the right use of the elbow and from the shoulder joint in collaboration with the shoulder blade, but not only. I don’t want to create ore complications about this point, because it is mined area.

When I say sensibility, finally, I mean the skill to develop a fluid and flexible answer to the impulses coming from the opponent, without forgetting the 2 other concepts of force and pressure. Probably the concept of sensibility is the most misunderstood (or discussed, it depends from the points of view) in all Wing Chun lineages. In my opinion it must not exist a conscious sensibility. Our actions are not supposed to be the result of a logical process (input-processing-output), but the natural result of spontaneous reactions of  our structure (muscle, tendons, skeleton) which naturally works following well precise principles.
You have to understand what is going on 'listening' yourself, your increase or decrease of your muscle tension and, according to the changes, the ability to work on angles, changing the joints properly. From the hard - not stiff - often comes the soft - not weak -. From here, a principle that does not feature here, now.  To not make heavy the discussion, let’s say that the sensibility must not be a "program" (logical process) which works in our computer (brain), but rather as a "operative system" (structure). Anyway I think that the idea of skin-sensibility is a conclusion created to indicate the concept to the new Wing Chun followers, but this conclusion has been the source for a great misunderstanding. Briefly, I think that this "skin sensibility" is a nonsense.

For sure the use of the term “free yourself”  presupposes the existence of a constraint, of an impediment. Perhaps this constraint is represented by the force in his "rough", "rigid" and "static" side - that prevents the flow of energy, allowing the opponent to "cling" to it, finding a strong support in the fight. Perhaps the fact of living in this model of society also implies a whole series of negative acquisitions, such as, for example, the use of force for resolving contradictions. Get rid of your force is also a philosophical shift that involves forgetting oneself or ,to better say, estrangement from the self. Surely you noticed how the best teachers use less power than students, because they have come to this realization: only the presence of energy causes a fluid and flexible reaction, while the force, in contrast, generates staticity and discontinuity.

To control the opponent's attack, we must not resist and oppose with our muscles power, but be soft and sinuous, like a snake. We must learn to move case by case, depending on the sensitivity that we acquire through training, on the one hand, and with the knowledge that our strength is only an impediment.

The metaphor of the water is fundamental to understand the concept expressed. Once you become like the water, every little creek will be filled by our energy, will not remain empty space and, if you will find a well-structured opponent, you will have a stable equilibrium, you will inundate unconsciously his faults or you’ll be well glued to his stability, trying to remove the opponent’s one. It’s not just a coincidence the motto "if the way is not free, be glued to your opponent, related to the strategy in combat.

Get rid of its strength means to eliminate the muscle contraction due to nervousness, anger, stress of everyday life. Here it happens that a principle of force can have a philosophical and existential reading, which helps us to abandon the mental state of unbalance to project us into a state of perception, reception and absorption of external forces, which we will be able to answer to. A relaxed body follows a relaxed mind. A free body follows a free mind.

The energy that you create in the stability is not rigid, because the body is never motionless. The movement is the key to stability, although it is an internal movement. But remember also that you cannot be stable unless the movement is not known to be stable in the static phase. If we do not test our ability staying motionless, we cannot go to analyze it in motion. Without this step, we risk to create movements without stability, seeking and looking only at the speed of movement - external - not giving any space to search for postural stability - Internal -.

Doing Chi Sao, for example, we have to keep all the time the balance, which depends from the weight distribution, the angle, the arms and legs position, the pressures, etc. You have to keep your balance for all the duration of your movements. But, pay attention, the student uses the Chi Sao when he becomes conscious of his own stability, because without this, it is not possible to stand more than one second in front of another person. This is why we pay so much attention to this aspect in the first years of learning!

Let’s analyze the unload of the incoming force to the ground.

We assume that a body unloads the force naturally to the ground, whether the body moves or the body stands motionless, as the structure of the body brings the forces to unload. The moment we turn our force and strength against the opponent (such as "absorbing" with one arm and hitting with the other) , in the same time we unload force to the ground, because the rotational movement can take place only if there is good stability. The unloading to the ground has the sense of rooting, which we have already spoken about. The root is the feeling of being in equilibrium that you perceive and feel when you absorb the opposing force or when you create stability in absence of (visible) forces.

At a time when we learn to unload to the ground the incoming energy, using the correct angles, the change of weight on the legs, the skeletal/joint/tendon-muscle system, here is that we have access to the exercises in movement dedicated to fighting. I am not here to explain how you get rid of your own strength through the use of the components described above, but I would just call to mind the fact that each exercise posture does just that, teach you to get rid of muscle tension and your own strength in general, giving the ground that it is not necessary. We will see later how to give the sky what we take from the ground.

This principle is really fundamental, because only by developing this you can apply the 3 following principles. To free from oneself force means that our force is not representing an obstacle between us and our opponent. Therefore we have to make our muscle flexible and relaxed, in order to develop the energy in a way similar to a water wave. All this you can develop by studying and practicing the 1st form of Wing Chun, the Siu Nim Tao, just to begin.


                                           (adapted from Riccardo Di Vito's Blog)

sabato 26 marzo 2011

Why do we practice martial arts?

Hello all!

In these last days I participated to a discussion about the reason to practice martial arts.
That concerns the concept we have about the practice of the martial arts and the reason for which we practice, which corresponds for each one of us with the goal of the martial art itself.

So there seemed to be two basic positions in this discussion:

1) to study martial art to study as equivalent to physically delete a person
(but not always, think about wrestling and its social and play value even in times not too far away, and everything else that military environments) , as heritage of techniques originated in periods when there were military conflicts, armed or otherwise, and also in terms of self-defense conlicts;
 
2) to study the martial art, nowadays, equivalent to using a martial method, which allows, by using martial techniques in relative safety (for example using protections and training methods which provide "realism" and intensity), the physical and mental development of the practitioner as the basis for the management of a possible fighting situation.And all this, before any further moral consideration, only as good common sense.


Each one of us has begun in one of the above category, and then  maybe has changed, or maybe not. Or maybe, there is a part of truth in both. For sure I began in the first cathegory, but now I feel more comfortable for me the second point of view.I see this second point of view as a more deep vision: in fact if I started with self defense purposes, now it appears more cleear to me what I have to try to defend: myself. 
Myself in the sense of the center of my life, myself as the center of my decisions, myself as the center of my emotions. To study martial techniques cannot be unlinked from my personal attitude, and I/myself use the techniques. They are not the techniques that use me!
I prefer to think to martial arts as the product of a good self integrated person, a person who goes deep and deep into himself, studying himself, from a body-mind-spirit point of view. A person from who the techniques arise as from a source (I borrow this motto from the Takemusu Aiki of Morihei Ueshiba). But if we accept this point of view, we overcome the sense of the technique: the technique disappears as a method of studying oneself (of course techniques are very necessary in some parts of the training, at the beginning, and during all the course of these studies, even all the life), but appears again as a manifestation and original creation of the self, and here the art and the person confuse, and you can't distinguish where the first finishes, and where the other begins!


A lot of times people speak about the difference between sport and martial art, and there is some confusion:
someone pretends that sport is no meant to kill other persons, while martial art cultivate the idea of death.
Some other think that in sport the target is to achieve a technical level in which you can learn, in safety, how to kill a person! It is so interesting to say "I can kill somebody in 10(or more) seconds"?
Is that the teaching of a Boxe or Wing Chun or Aikido or MMA teacher?


Boxe or MMA are not meant to kill someone and there are rules of engagement and tools so to limit the risks.
The Boxing (or MMA) match, even the most cruel, is measured by two men on common ground, through the use of punches, in order to determine who, with this rules, is the strongest, or gifted, or  better trained, or .. etc.It is more a comparison of skill, whereas each game has its own rules, and "Let's see who 's the best in this game". The target is not kill, but is winning. One thing is to tell that the death can be a far (forbidding some techniques, use of gloves and protections, limits of time, possible to give up) consequence of the fighting, another is to search for the death of the opponent, trying to do all is possible, creating new techniques, using hidden weapons, or whatever trick to obtain it! 
So be aware of the potential of our shots is one thing, and train specifically for that purpose of killing is another. It would make sense only in particular social contexts, and none or almost none, lives in a state of constant awareness of death, because it is not only a technical matter of to know how to kill or face your dead in some cases (while boxing, or playing football, or drinving in Formula 1, or walking into the Bronx), but also a very specific way of life.Something that in our modern society no longer exists! I would like here only to differentiate our lives from that of chinese people in 1646 (Manchu invasion of China, destruction of Shaolin and death of monks and rebels, creation of secret societies), and also quite a bit later, for that chinese people involved for political reasons in daily dangerExcept for drug dealers, undercover cops and military, we can't say

THE DANGER IS MY BUSINESS

Also today, we can find in difficult situations, but not always expect death around the corner. I do not doubt what I can do a trained person. I'm saying that this is not enough to create a mindset the same as those Chinese, or who does not like China, the Thais in constant conflict against the Burmeses for territory.

To be warriors in the sense that I understand it, with death always on your shoulder, you should live in an environment such that the total relaxation we can allow nowadays, would be impossible. The same for people involved in fighting sports.

Having said that, this mode of confrontation in the ring (or in sparring), indirectly creates skills  which are largely exploitable out of a ring, and also allow a good self-defense, in case the boxer was fixed with this kind od existencial problems
.

The legacy of ancient martial arts also tend to the students' ability to eliminate the opponent, even more when we introduce thw weapons in the training. No one takes a weapon without a well precise intent. Unlike the tiger, man has not a body as a predator, with teeth and claws. But he can use a sword and a spear. To take a sword and a spear in oneself hands means that or the one, or the other, maybe both, equally armed, they must die.
As I said, the land on which many of these practices were born, no longer exists. This does not mean ineffectiveness and inefficiency of the Ancient and Classical Martial Arts in our days.
Martial Arts include also hand to hand combat. Bare hand means that we do not have a weapon, and then at that moment we are not predators or soldiers. Our punches can be very powerful, but can also be used to defend oneself. As it makes no sense nowadays to speak about secret and virtually lethal techniques (fingerjabs, kicking the groin, attack the troath, and so on), it seems more convenient to train realistically, in some ways similar to sport, the effectiveness in a safe and well protected environment, but in these conditions, no way to talk about killing a human being. Through a safe workout, we grow together (quotation from Jigoro Kano), and consequently, we also improve in self-defense, without practicing every day with that crazy idea of being potential killers (that produces disturbed minds and not good human beings), but rather having fun.
Today we inherit these techniques, and we also have a technology and an understanding of what we can evolve from the concept of killing. Already before 1895, Kano, even without our today knowledge, renewed the Japanese warrior and military arts, offering a new way to practice.Through the renunciation of immediate lethality, he evolved the concept of training, with the result that trained people could use the old techniques, but that the best way to train, it was without it.
Somehow the workout where you protect the health of the training partner, is also the best way to train. The playful component, in the ancient traditional arts, in our days, is a new component, which in addition to giving a new meaning to the practice, can allow to achieve better results without having to overly worry about those same results (lethal techniques, even if they can terminate the fighting, if you bring a sign, in my opinion constitute the limit for this evolution of the art itself).In this sense, martial arts and sports converge: in fact I am sure that the practice of a combat sport is not separate from the search for good health and good cultivation of your body. I suppose that wherever possible all the people do stretching and strengthening and healthy exercises, not directly related to the technique of fist. Training in sport, can give you also  a sense of peace, and allow you to enjoy fruit and sensations of a good workout.
The reason why, apart from sport and competition (here is important the resul and the victory), we continue to practice a traditional art born in a certain context, is that we have also the possibility to move between the instrument and the target. and giving, sometimes, a lot of importance to instrument, turning it, in a sense, in a target.
I am referring here to the three treasures of Siu Lam: physical health, the sense of inner fullness resulting from practice and not only the ability to fight.
That is what I want to study when I use the term Martial Art!
But if your goal today is the skill to kill, better to buy a gun. Less effort, more result!